In this collaborative, place-based installation Jess Zeglin and Dylan McLaughlin examine the shifts of one flower species through interventions, interruptions, and interferences occurring in floral morphology, genetics, and agriculture. Originally grown as a food source in present-day Mexico, the tuber of the dahlia was eventually disregarded and cultivated solely for its flower. Bioprospectors then brought the dahlia to Europe where they bred over five hundred varieties.

Zeglin and McLaughlin have created an intimate, time-based experience through a multi-sensory language of hand-drawn phrases, auditory textures, photographic reflections, and data-driven illustrations. The scientific and poetic evolution of a flower mirrors the interdisciplinary approach to relational farming practiced by Helen Skiba, owner of Artemis Flower Farm.

Photographs: Wes Magyar for BMoCA

Artwork information: Jess Zeglin, Dylan McLaughlin, Artemis Flower Farm. 46’ x 8’ x 6’. Ink, wood, speakers, light table, projector slides. 2023.